Very Sad.
Thursday, January 14, 2010
Monday, January 04, 2010
Friday, January 01, 2010
Birthday Gal
Not to continuously go on about Paul W., but I just noticed that he turned 50 yesterday. Fifty! Wow. There's a very nice understated article in the Minneapolis Star-Tribune here.I was thinking today about what music has meant the most to me in my whole life, and I would have to narrow it down to two, perhaps three bands. I don't listen to any of them that much anymore, but I doubt that any other music will ever have that kind of an effect on my life again. There's something about absorbing music (or movies or literature or whatever) in your twenties that cannot be repeated. And so, with the Smiths, the Replacements, and possibly, with Nirvana, I experienced something deeply traumatic. Not, life-changing but certainly life-reflecting. I was obsessed with each of these bands, enough to track down EVERY SINGLE SONG they had ever released or indeed, recorded. (Ever heard the extremely rare and brilliant live version of "Some Girls are Bigger Than Others" that was released on the b-side of the 12" of "I Started Something I Couldn't Finish" in 1987? Thought So. Yes, I have it somewhere). But that's just the technical part. I was also so obsessed with these bands that I could hardly go a day by without listening to them or thinking about what they were singing about.
Now it is more than twenty years later. I discovered the Smiths and Replacements in '86. I found Nirvana in '91. That's over two decades ago. I'm much much older, not even like a cool older uncle, but just a hasbeen old guy who hasn't taken good care of himself in the past coupla decades, and just complains about his back and mumbles under his breath about how "the kids these days, they just don't get it, do they?"
Now, I'm not sure if Paul is like that these days, but he sure doesn't seem to give a shit about anything, and when he does emerge from his dark dank basement, he sounds like a curmudgeon. He's married, lives in a suburb of a big midwestern city, barely goes out or listens to anything in the outside world, probably watches sports, goes to see his son play baseball, maybe complains to his wife about having to take so many Goddamn anti-depressants every day. He could give two shits about Radiohead, probably still listens to albums by Sonny and Cher, and rarely smiles. He remembers very little of the Replacements, and why should he remember any of it?
Happy Birthday Paul.
You were always kinda young to me, but like an older brother who was about 25 or something. But still young. Without blemishes. Now you're 50. Ain't so young anymore. Just like me.
Here's a song you wrote a long time ago, never bothered to release, until your record company forced you to about 20 years later. It is called "Birthday Gal." It is as sad as all the girls who wanted to sleep you and the boys who wanted to be you.
"Wax is dripping from the frosting on the cake
Come on, girl, buckle up, and don't hesitate
Take a deep breath and blow 'em all away
...
Birthday gal, do you wish that
There weren't quite as many candles that you had to blow away?"
The Replacements -- Birthday Gal [demo]
Monday, December 21, 2009
Top 75 Albums of the '00s
OK, here it is, my decade-end list of the top 75 albums of the past decade, the '00s. Hard to believe that a decade has passed since the oh-so-innocent panic of Y2K hysteria. My general feeling is that music, at least the kind of music I tend to like, was pretty stellar in the past ten years. But, as a point of reference, looking back at the past 50 years of popular music, it's hard to rank the past decade as anything particularly special. I still continue to think that there hasn't been a period as creative as the late 1970s/early 1980s but I would actually rank the '00s as a decade much better than the '90s and probably as good as the '80s.Just a quick scan through the list suggests that I ranked very few artists fro
m the babyboomer era as still producing good music. And let's face it, the only two real candidates in that category are Bob Dylan and Neil Young, both of whom continue to be as weird, iconoclastic, and inaccessible as ever but seemed to have cooled off in terms of producing sublime music. (And no, I don't like Leonard Cohen and maybe Scott Walker's doing some good stuff too). Neil Young's last peak was sometime in the mid-nineties while Dylan's "Love and Theft," which ranked on my top 75, was released in 2001 (actually, September 11, 2001, to be precise). Most of the other folks on the list came of age in the nineties.
In terms of genres, I can't really draw any firm conclusions besides the fact the '00s had a lot of derivative music (see Interpol, the Strokes, etc.) but that doesn't necessarily mean that it was bad music. I concede one can enjoy a copy of the copy of the copy. After all, I think we can all agree that authenticity is vastly overrated. Sometimes it's more fun to listen to the Rolling Stones than Robert Johnson, ya know?
It's also surprising to see so many of my picks from the early part of the decade rather than the later. The general trend seems to be that the decade began pretty well in 2000 (8 albums), reached a peak in 2003-2004 (about 12 each), then had a steady decline to 2009 (only three records from this year).
Finally, the issue of consistency. Very few bands/artists on the list had multiple showings, i.e., it was one good album and then done. I don't have an explanation for this but it seems to me that in the '60s, '70s, and '80s, you could probably easily find an artist (Joni Mitchell from the '70s, the Smiths from the '80s) who could be counted on to consistently deliver good albums, one after the other. Nowadays it ain't so, although I wonder if that has something to do with the attention span of the audience than the work of the artist.

So, my list:
75. Iggy Pop - Skull Ring (2003)
74. Ariel Pink - Ariel Pink's Haunted Graffiti (2005)
73. Burial - Untrue (2007)
72. Sonic Youth - Rather Ripped (2006)
71. Caribou - Up In Flames (2003)
70. AA Bondy - When The Devil's Loose (2009)
69. Kanye West - The College Dropout (2004)
68. Badly Drawn Boy - Born In The UK (2006)
67. Bob Dylan - "Love And Theft" (2001)
66. Tangemeenie - Faust (2001)
65. A Silver Mt. Zion - He Has Left Us Alone But Shafts Of Light Sometimes Grace The Corner Of Our Rooms... (2000)
64. Paul Westerberg - Stereo/Mono (2002)
63. School Of Seven Bells - Alpinisms (2007)
62. Zero 7 - Simple Things (2001)
61. Rachid Taha - Tekitoi (2004)

60. Eluvium - Talk Amongst The Trees (2005)
59. Lemon Jelly - '64-'95 (2005)
58. The White Stripes - Elephant (2003)
57. A Perfect Circle - Mer De Noms (2000)
56. M.I.A. - Arular (2005)
55. The Album Leaf - One Day I'll Be On Time (2001)
54. Tinariwen - Aman Iman (2007)
53. Godspeed You! Black Emperor - Yanqui U.X.O. (2002)
52. Sea Ray - Stars At Noon (2003)
51. Yo La Tengo - And Nothing Turned Itself Inside Out (2000)

50. King Khan & The Shrines - The Supreme Genius Of (2008)
49. Califone - Roots & Crowns (2006)
48. Steely Dan - Two Against Nature (2000)
47. Ellen Allien & Apparat - Orchestra Of Bubbles (2006)
46. Verbena - La Musica Negra (2003)
45. LCD Soundsystem - LCD Soundsystem (2005)
44. New Order - Get Ready (2001)
43. Fujiya & Miyagi - Transparent Things (2006)
42. TV On The Radio - Return To Cookie Mountain (2006)
41. Radiohead - Amnesiac (2001)

40. Dead Meadow - Feathers (2005)
39. Sonic Youth - Murray Street (2002)
38. Wilco - Yankee Hotel Foxtrot (2002)
37. The Strokes - Is This It (2001)
36. Boards Of Canada - The Campfire Headphase (2005)
35. The Secret Machines - Now Here Is Nowhere (2004)
34. Massive Attack - 100th Window (2003)
33. Phoenix - Wolfgang Amadeus Phoenix (2009)
32. Nine Inch Nails - Year Zero (2007)
31. Nick Cave & The Bad Seeds - Dig Lazarus Dig! (2008)

30. Mogwai - Happy Songs For Happy People (2003)
29. Four Tet - Rounds (2003)
28. Outkast - Speakerboxx/The Love Below (2003)
27. Atlas Sound - Logos (2009)
26. Buffalo Daughter - I (2001)
25. Royksopp - Melody A.M. (2001)
24. The Shins - Chutes Too Narrow (2003)
23. Primal Scream - XTRMNTR (2000)
22. Xiu Xiu - Fabulous Muscles (2004)
21. Adem - Homesongs (2004)
20. Ulrich Schnauss - A Strangely Isolated Place (2004)
19. M83 - Saturdays = Youth (2008)
18. Bloc Party - Silent Alarm (2005)
17. Diplo - Florida (2004)
16. Modest Mouse - Good News For People Who Like Bad News (2004)
15. LCD Soundsystem - Sound Of Silver (2007)
14. Beck - Sea Change (2002)
13. Deerhunter - Microcastle (2008)
12. The Arcade Fire - Funeral (2004)
11. Radiohead - In Rainbows (2007)

10. Boards Of Canada - Geogaddi (2002)
9. Interpol - Turn On The Bright Lights (2002)
8. The Books - The Lemon Of Pink (2003)
7. Pinback - Summer In Abbadon (2004)
6. Sigur Ros - () (2002)
5. Explosions In The Sky - The Earth Is Not A Cold Dead Place (2003)
4. PJ Harvey - Stories From The City Stories From The Sea (2000)
3. Sleater-Kinney - The Woods (2005)
2. Radiohead - Kid A (2000)
1. Godspeed You Black Emperor! - Lift Your Skinny Fists Like Antennas to Heaven (2000)
Monday, November 23, 2009
Top 30 Songs of the '00s (part 1)
Music was awesome in the '00s. Incredible. I had a lot of trouble narrowing down 30 songs I liked. And even then I left out at least another 75 that I could have easily included. But yeah, this past decade was just incredible for unrelentingly good music. Here's my list. People will notice that I went for 'pop' rather than 'esoteric' or 'experimental.' This is because I love da pop music. There's nothing like a good tune.
Part II in a coupla days.
THE BEST SONG
LCD Soundsystem -- All My Friends [2007]
RUNNER UP
The Yeah Yeah Yeahs -- Maps [2005]
THE REST (in alphabetical order):
1) The Arcade Fire -- Rebellion (Lies) [2004]
2) Battles -- Atlas [2007]
3) The Books -- That Right Ain't Shit [2003]
No official video, someone made this one up:
4) Death Cab For Cute -- I Will Possess Your Heart [2008]
5) Explosions In The Sky -- The Moon Is Down [2001]
6) Feist -- 1-2-3-4 [2007]
7) Fleet Foxes -- White Winter Hymnal [2008]
8) Fujiya & Miyagi -- Ankle Injuries [2006]
9) Gorillaz -- Feel Good, Inc. [2005]
10) Low -- Sunflower [2001]
11) Master Cylinder -- Jung At Heart [2000]
12) M.I.A. -- Sunshowers [2005]
13) MGMT -- Time To Pretend [2008]
14) Modest Mouse -- Float On
15) Mogwai -- Friend Of The Night
Next 15 in a day or two.
Part II in a coupla days.
THE BEST SONG
LCD Soundsystem -- All My Friends [2007]
RUNNER UP
The Yeah Yeah Yeahs -- Maps [2005]
THE REST (in alphabetical order):
1) The Arcade Fire -- Rebellion (Lies) [2004]
2) Battles -- Atlas [2007]
3) The Books -- That Right Ain't Shit [2003]
No official video, someone made this one up:
4) Death Cab For Cute -- I Will Possess Your Heart [2008]
5) Explosions In The Sky -- The Moon Is Down [2001]
6) Feist -- 1-2-3-4 [2007]
7) Fleet Foxes -- White Winter Hymnal [2008]
8) Fujiya & Miyagi -- Ankle Injuries [2006]
9) Gorillaz -- Feel Good, Inc. [2005]
10) Low -- Sunflower [2001]
11) Master Cylinder -- Jung At Heart [2000]
12) M.I.A. -- Sunshowers [2005]
13) MGMT -- Time To Pretend [2008]
14) Modest Mouse -- Float On
15) Mogwai -- Friend Of The Night
Next 15 in a day or two.
Sunday, November 22, 2009
Top 30 Songs of the '00s (Part 2)
16. The National -- Fake Empire [2007]
17. New Order -- Crystal [2001]
18. Okkervil River -- Our Life Is Not A Movie or Maybe [2007]
19. Outkast -- Hey Ya [2003]
20. Phoenix -- Too Young [2000]
21. The Postal Service -- Such Great Heights [2003]
22. Radiohead -- There There [2003]
23. Rhymefest -- Devil's Pie [2006]
24. Ulrich Schnauss -- Knuddelmaus [2001]
25. The Secret Machines -- First Wave Intact
26. Tinariwen -- Amassakoul [2004]
27. The Tings Tings -- Shut Up And Let Me Go [2008]
28. Vampire Weekend -- Oxford Comma [2008]
29. Kanye West -- Stronger [2007]
30. Paul Westerberg -- Crackle & Drag [2003]
17. New Order -- Crystal [2001]
18. Okkervil River -- Our Life Is Not A Movie or Maybe [2007]
19. Outkast -- Hey Ya [2003]
20. Phoenix -- Too Young [2000]
21. The Postal Service -- Such Great Heights [2003]
22. Radiohead -- There There [2003]
23. Rhymefest -- Devil's Pie [2006]
24. Ulrich Schnauss -- Knuddelmaus [2001]
25. The Secret Machines -- First Wave Intact
26. Tinariwen -- Amassakoul [2004]
27. The Tings Tings -- Shut Up And Let Me Go [2008]
28. Vampire Weekend -- Oxford Comma [2008]
29. Kanye West -- Stronger [2007]
30. Paul Westerberg -- Crackle & Drag [2003]
Thursday, November 19, 2009
Polly
Will post my Top 50 Albums of the decade shortly. Until then, here's something from 1995.
"God of piston, God of steel
God is here behind the wheel."
"God of piston, God of steel
God is here behind the wheel."
Tuesday, October 13, 2009
Wednesday, October 07, 2009
The Replacements -- Answering Machine (live)
In 1989, the Replacements put out an e.p. called Inconcerated, which was basically a promo CD for radio stations. It was a blistering 5-song live record of a show they did at the University of Wisconsin in Milwaukee to support their then-latest album Don't Tell A Soul. This was a rare CD, and I paid a lotta money to get it on ebay. Anyway, it rocks -- and in typical Replacements fashion, they never bothered to release the whole show which would have been too good to be true. Whatever. Danielle wanted to hear the live version of "Answering Machine." Here it is.The Replacements -- Answering Machine (live)
Sunday, October 04, 2009
It's A Wonderful Lie
Listening to mid period Paul Westerberg (the stuff that I don't really like) makes me feel uneasy. Paul began his solo career with the awesome 14 Songs but then quickly descended step-by-step into what I still consider AOR shlock. I generalize. Every album that he released after 14 Songs had a few drop-dead genius songs on it. But the other songs were so cliched, so much dead weight, that I could never make it through an entire album. I'm being too harsh. I think it's more that listening to those albums (Eventually and Suicane Gratifaction) made me depressed. There are few pieces of music that make me depressed. Usually, it's the other way around: I get depressed and then I listen to some music or other. But the stuff he put out in the mid to late nineties was just plain dour, maudlin. Later I find that Paul is a depressive and he's on some serious medication. Over the years, his edges dulled. What can I say.After what seemed like a never ending slump, he finally (in 2002) showed up with a double album of sorts, Stereo/Mono, which (shock) was actually good. It took me a while to warm up to the albums, but they worked. He'd clearly changed his style. His music had gotten a lot simpler, he'd abandoned those clever chord progressions; and his voice had become more nasal, in a quasi-Dylan way that could occasionally be annoying. But if you got over that, his songs were still good, and at times brilliant.
Since then, he apparently doesn't leave his house in suburban Minneapolis. He's afraid of people and what not. He has a studio in the basement where he goes down and bangs out songs. The ethos is uncompromisingly low-fi with nary the slightest concession to polish or practice. Every few months he releases a bunch of songs on-line, songs that sound he like recorded them underwater. The drumming is usually awful -- he is a brilliant guitarist but he remains a terrible drummer. Paul, try and meet some people, for the love of God! You don't have to go to a bar, just put an ad out that you need a drummer! Jesus.
Anyway, a week or so ago, Westerberg released another e.p., this one called PW & The Ghost Gloves Cat Wing Joy Boys. Yeah, that's what it's called. Paul being Paul, he took a word from each of the six songs and made up a title. Some of the songs are really good. Hey, what the hey, indeed. [Go here for a free song from the e.p.]
One of Paul's favorite things to write about is: the sadness young men see in young women who never see it in themselves. He wrote a buncha those (see "Achin' to Be," "Merry Go Round," "Birthday Gal," etc. etc.). Those are good ones.
And then there are the requisite songs about dead people (cheery guy, he), including one about Sylvia Plath. In a terribly morbid poem titled "Edge," Plath wrote:
The moon has nothing to be sad about,
Staring from her hood of bone.
She is used to this sort of thing.
Her blacks crackle and drag.
God, so gloomy, like a 16-year old goth chick. Paul, for whatever reason, wrote a song called "Crackle and Drag" (a lovely way to describe the static you hear when curtains move to close across theater stages). And he would sing it differently in various versions. The video below is an acoustic version, much better actually than any version he put on record. The other is a studio punk rock version. Both are brilliant.
But it's most important to understand that even when Paul puts out what could possibly be the shittiest album released by a human being in the entire decade of the nineties (Suicane Gratifaction), in his typically perverse way, the very first song on the album, "It's A Wonderful Lie," may be the best thing he wrote the whole decade. I hear it now -- I know exactly what he means.
Although Paul could give two shits about me, I still love the skinny bastard. I love his music. It changed my life. I don't listen to the old stuff that much anymore but that doesn't matter. Those buncha albums from the '80s that he and his bastards of young put out -- they are now imprinted in my DNA. Those who have loved me, and those who I have loved, know this about me. That I am one of those children by the millions, who wait for Paul Westerberg, to come home.
Paul Westerberg -- Crackle and Drag (unreleased live) [mp3]
Paul Westerberg -- Crackle and Drag (electric) [mp3]
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